My work stems from an interest in growth, movement, and expansion. I aim to convey a feverish sense of immediacy and vitality that alludes to biological flux and through the use of viscous porous surfaces I attempt to provide a sense that the work is alive. There is intentionally a strong element of science fiction in the work and I intend to suggest mutation, as if systems have cross-wired and are melding into new adaptive forms. I also aim to suggest a limitless potential for growth and each work evolves through a series of expanding installations. I think of each installation as a frozen moment in the life of the work, as if time has temporarily suspended, allowing the viewer to move freely through a living, growing system.

The most recent work, Brain Fruit, stems from an interest in neuroscience, specifically the elastic potential of the mind and I hope for the work to suggest an active mesh-work of synaptic exchange. Crafting the pieces has become critical and I invest countless hours into perfecting each surface because I aim to create an illusion, a fictive world and it is essential that the forms are believable. I think of the space itself as a void or a Petri dish and I intentionally keep the walls of the space white, installing a white floor when possible. I hope the forms will seem pulled out of context, as if inserted into a sterile space, a space to be examined.